Artful Dodging

I HEAR THE CREAKING of a chair being tipped back on its hind legs. "Sir, this is all fairly effective in a literary sort of way, I suppose, but since you have already put most of it in a novel, I'm afraid it's a little stale."

My interlocutor is a student who under various names and in various transparent disguises has attended all the religion classes I have ever taught and listened to all my sermons and read every word I've ever written, published and unpublished, including diaries and letters. He is on the thin side, dark, brighter than I am and knows it. He is without either guile or mercy. "You know, you were just getting down to the one thing people might be interested in," he says, "because it is always interesting to hear why a man believes what he believes. But then instead of giving it to them straight, you started paraphrasing from a work of your own fiction. I've heard you do the same sort of thing in sermons. Just as you are about to reach what ought to be the real nub of the matter, you lapse off into something that in the words of one of your early reviewers is either poetry or Williams' Aqua Velva. I would hesitate to use the phrase "artful dodger" if you hadn't already used it artfully yourself. Why don't you really tell them this time? Give it to them straight?"

God. Jesus. The ministry, of all things. Why I believe. He cannot possibly want me to give it straight any more than I want myself to give it straight, get it straight once and for all. For my own sake. I tell him this, and he brushes his hand over his mouth to conceal the glimmer of a smile.

"A question then," he says. "Have you ever had what you yourself consider a genuine, self-authenticating religious experience?"

There are these things I have already mentioned—the monastery visit, the great laughter sermon, the apple tree branches. They all really happened, I tell him, and I don't see why just because I've used them already in a novel I shouldn't use them again now. And the dream of writing the name on the bar. I really dreamed it. God knows I know what he means about artful dodging, but what can be straighter than telling the actual experiences themselves? What more can he want?

"I just told you," he says, "what I want."

Not the least of my problems is that I can hardly even imagine what kind of an experience a genuine, self-authenticating religious experience would be. Without somehow destroying me in the process, how could God reveal himself in a way that would leave no room for doubt? If there were no room for doubt, there would be no room for me.

-Originally published in The Alphabet of Grace ​

Congenital Believer

I HAVE ALWAYS loved fairy tales and to this day read E. Nesbit and the Oz books, Andrew Lang and the Narnia books and Tolkien with more intensity than I read almost anything else. And I believe in magic or want to. I want flying saucers to be true, and I want life to exist on Mars, and I dream of a heaven where old friends meet and old enemies embrace one another and weep. And just at dawn in an eighteenth-century castle built of rose-colored stone in Dumfriesshire, I have reason to think I saw a ghost. All of which is to say I am a congenital believer, a helpless hungerer after the marvelous as solace and adventure and escape. I am also a fabricator, and I am willing to believe that the whole business of God in my life may be something I have fabricated out of my need for solace and adventure if not for escape because religion has never seemed escape to me. Escape would be for me to get out of religion—with all its demands and promises—rather than to get into religion. Maybe it is all just a dream. Maybe none of it is true except in some wispy sense true for me. . . . But I did get mixed up with it, and I am mixed up with it and by it still, and as I stand here in the kitchen waiting for the water to boil, waiting for the time to wake up the children, I must speak of this. Such faith as I have, where did it come from and why?

-Originally published in The Alphabet of Grace ​

Be Alive

YOU ARE SEEING everything for the last time, and everything you see is gilded with goodbyes. The child's hand like a starfish on the pillow, your hand on the doorknob. Caught between screen and window, a wasp unfolds one wing. With a sick smile, guilt-ridden, the old dachshund lurches off the forbidden couch when you come through the door, his nose dry with sleep, and makes for the pillow by the hot-air register. It is the room where for years Christmases have happened, snow falling so thick by the window that sometimes it has started to snow in the room, brightness falling on tables, books, chairs, the gaudy tree in the corner, a family sitting there snowmen, snowbound, snowblind to the crazy passing of what they think will never pass. And today now everything will pass because it is the last day. For the last time you are seeing this rain fall and in your mind that snow, this child asleep, this cat. For the last time you are hearing this house come alive because you who are part of its life have come alive. All the unkept promises if they are ever to be kept have to be kept today. All the unspoken words if you do not speak them today will never be spoken. The people, the ones you love and the ones who bore you to death, all the life you have in you to live with them, if you do not live it with them today will never be lived.

It is the first day because it has never been before and the last day because it will never be again. Be alive if you can all through this day today of your life. What's to be done? What's to be done?

Follow your feet. Put on the coffee. Start the orange juice, the bacon, the toast. Then go wake up your children and your wife. Think about the work of your hands, the book that of all conceivable things you have chosen to add to the world's pain. Live in the needs of the day.

-Originally published in The Alphabet of Grace

Our Search

WE DO OUR TWENTY minutes of meditation a day in the hope that, properly stilled, our minds will stop just reflecting back to us the confusion and multiplicity of our world but will turn to a silvery mist like Alice's looking glass that we can step through into a world where the beauty that sleeps in us will come awake at last. We send scientific expeditions to Loch Ness because if the dark and monstrous side of fairy tales can be proved to exist, who can be sure that the blessed side doesn't exist, too? I suspect that the whole obsession of our time with the monstrous in general—with the occult and the demonic, with exorcism and black magic and the great white shark—is at its heart only the shadow side of our longing for the beatific, and we are like the knight in Ingmar Bergman's film The Seventh Seal, who tells the young witch about to be burned at the stake that he wants to meet the devil her master, and when she asks him why, he says, "I want to ask him about God. He, if anyone, must know." 

-Originally published in Telling the Truth

Living the Day Out

FORGET YOURSELF IN the dream of daily life, Tolstoy says, and forget myself, yes. To forget myself in the very process of being myself, I ask no better. Perhaps there is no gift more precious than the gift of spontaneity, the ability of certain men and animals to act straight and fresh and self-forgettingly out of the living center of who they are without the paralyzing intervention of self-awareness. But the dream of daily life, no. I have had enough for awhile of dreams. Certainly it is often dreamlike enough as you move from morning to evening with little sense of how you got from one to the other, as you move from conversation to conversation, living your life like the food you eat in dreams which neither tastes nor nourishes.

But I don't want to dream this day out. I want to live this day out. I want to live this day out as though it were the first day of my life because that is of course what it is.

Who knows whether there is life on any other planet anywhere else in the universe, but there is life on this planet. And what is life like? Think of not knowing what life is and then finding out: a book suddenly learning how to read; a rock jutting out into the sea suddenly knowing the thump and splatter of the waves, the taste of salt. You are alive. It needn't have been so. It wasn't so once, and it will not be so forever. But it is so now. And what is it like: to be alive in this maybe one place of all places anywhere where life is? Live a day of it and see. Take any day and be alive in it. Nobody claims that it will be entirely painless, but no matter. It is your birthday, and there are many presents to open. The world is to open.

It rattles softly at the window like the fingers of a child as I sit on the edge of the tub to tie my shoes. It comes down the glass in crooked paths to stir my heart absurdly as it always has, and dear God in Heaven, the sound of it on the roof, on the taut black silk of the umbrella, on the catalpa leaves, dimpling the glassy surface of the peepering pond. It is the rain, and it tastes of silver; it is the rain, and it smells of christening. The rain is falling on the morning of my first day, and everything is wet with it: wet earth, wet fur, the smell of the grass when it is wet, the smell of the wet pavements of the city and the sound of tires on the wet streets, the wet hair and face of a woman doing errands in the rain. Wherever my feet take me now, it will be to something wet, something new, that I have never seen before.

-Originally published in The Alphabet of Grace