Living the Day Out

FORGET YOURSELF IN the dream of daily life, Tolstoy says, and forget myself, yes. To forget myself in the very process of being myself, I ask no better. Perhaps there is no gift more precious than the gift of spontaneity, the ability of certain men and animals to act straight and fresh and self-forgettingly out of the living center of who they are without the paralyzing intervention of self-awareness. But the dream of daily life, no. I have had enough for awhile of dreams. Certainly it is often dreamlike enough as you move from morning to evening with little sense of how you got from one to the other, as you move from conversation to conversation, living your life like the food you eat in dreams which neither tastes nor nourishes.

But I don't want to dream this day out. I want to live this day out. I want to live this day out as though it were the first day of my life because that is of course what it is.

Who knows whether there is life on any other planet anywhere else in the universe, but there is life on this planet. And what is life like? Think of not knowing what life is and then finding out: a book suddenly learning how to read; a rock jutting out into the sea suddenly knowing the thump and splatter of the waves, the taste of salt. You are alive. It needn't have been so. It wasn't so once, and it will not be so forever. But it is so now. And what is it like: to be alive in this maybe one place of all places anywhere where life is? Live a day of it and see. Take any day and be alive in it. Nobody claims that it will be entirely painless, but no matter. It is your birthday, and there are many presents to open. The world is to open.

It rattles softly at the window like the fingers of a child as I sit on the edge of the tub to tie my shoes. It comes down the glass in crooked paths to stir my heart absurdly as it always has, and dear God in Heaven, the sound of it on the roof, on the taut black silk of the umbrella, on the catalpa leaves, dimpling the glassy surface of the peepering pond. It is the rain, and it tastes of silver; it is the rain, and it smells of christening. The rain is falling on the morning of my first day, and everything is wet with it: wet earth, wet fur, the smell of the grass when it is wet, the smell of the wet pavements of the city and the sound of tires on the wet streets, the wet hair and face of a woman doing errands in the rain. Wherever my feet take me now, it will be to something wet, something new, that I have never seen before.

-Originally published in The Alphabet of Grace

Limitations

WHAT BOTHERS ME is simply the everlasting sameness of my face. Those eyes, that nose, that mouth—the variations of expression they're capable of is really so restricted. The grimmest human tragedy can furrow the brow little more than the momentary pain of the dentist's drill. If an angel of God were to appear suddenly, the eyes that I beheld its glory with could light up little brighter than at the smell of coffee brewing in the morning. More than any other part of me, my face is the part where most of the time I live. It is so hard to disentangle ourselves that I can't be sure whether I am happy and therefore my face smiles or whether my face smiles and therefore I am happy—which is to say that my face and I are so much more involved with each other than my hands and I or my stomach and I that I am forced to conclude that to an alarming degree I am my face. Alarming because I am forced to conclude also that the limitations of my face are my limitations, that in more ways than merely spatial, my face is my farthest-flung frontier, the limit beyond which I cannot pass. My alarm as I look in the mirror, toothbrush in hand, is that I can do no more than my face can do, that I can be no better than the face that I have made out of my life and that my life has made out of me.

And yet: O purge me with hyssop and I shall be clean, wash me and I shall be whiter than snow. Out of the depths of my face I cry unto thee that of thy grace, thy mercy and miracle, thou wilt make me more than my face. If thy power is above all the power to make Christs, then reshape this face I wear and am. What hope is there for me? Thou art my only hope.

-Originally published in The Alphabet of Grace

Where Your Feet Take You

"THE WAY I UNDERSTOOD it," she says, "you were supposed to devote these talks to religious matters. Incarnation and Grace and Salvation were some of the noble words you used."

 I say that feet are very religious too. She says that's what you think. I say that if you want to know who you are, if you are more than academically interested in that particular mystery, you could do a lot worse than look to your feet for an answer. Introspection in the long run doesn't get you very far because every time you draw back to look at yourself, you are seeing everything except for the part that drew back, and when you draw back to look at the part that drew back to look at yourself, you see again everything except for what you are really looking for. And so on. Since the possibilities for drawing back seem to be infinite, you are, in your quest to see yourself whole, doomed always to see infinitely less than what there will always remain to see. Thus, when you wake up in the morning, called by God to be a self again, if you want to know who you are, watch your feet. Because where your feet take you, that is who you are.

-Originally published in The Alphabet of Grace

The Holy Dream

THE INVISIBLE MANIFESTS itself in the visible. I think of the alphabet, of letters literally—A, B, C, D, E, F, G, all twenty-six of them. I think of how poetry, history, the wisdom of the sages and the holiness of the saints, all of this invisible comes down to us dressed out in their visible, alphabetic drab.

I am thinking of incarnation, breath becoming speech through teeth and tongue, spirit becoming word, silence becoming prayer, the holy dream becoming the holy face. I am speaking of the humdrum events of our lives as an alphabet.

I am thinking of grace. I am thinking of the power beyond all power, the power that holds all things in manifestation, and I am thinking of this power as ultimately a Christ-making power, which is to say a power that makes Christs, which is to say a power that works through the drab and hubbub of our lives to make Christs of us before we're done or else, for our sakes, graciously to destroy us. In neither case, needless to say, is the process to be thought of as painless.

I am thinking of salvation. In the movie called 2001, A Space Odyssey, a man goes hurtling through the universe to the outermost limits of the universe, the outermost limits of space and time. Through huge crevasses of racing light he passes finally beyond space and time altogether, and you sit there in the midnight of the movie theater watching him and wondering what fantastic secret he will discover there at the very secret heart of the fantastic itself, and then comes the movie's most interesting moment. Because when his space pod finally comes to rest, what the man steps out to discover is not some blinding cosmic revelation, some science-fiction marvel, but a room. He steps out into an almost everyday room of floor and ceiling and walls with a table in it and some chairs and a half-filled bookshelf and a vase of flowers and a bed. And in this room the man dies and is born again. At the heart of reality there is a room. At the heart of reality there is a heart beating life into all that lives and dies. Clack-clack.

-Originally published in The Alphabet of Grace

Silence and Random Sounds

OR SILENCE—SILENCE between people, strangers sitting beside each other on a train or at night or taking shelter under the same awning in a rainstorm. Two lives hidden behind faces, divided by fathoms of empty space, wrapped round in silence which one of them breaks then with maybe some word that in one way or another means Know me, Know me, clack-clack, and something that never was before comes into being as the other replies and something is made manifest—a lunar landing, a footprint on an alien star.

Or out of silence prayer happens: waking at night when the silence in your room is no deeper than the silence in yourself because for a moment all thought is stilled and you do not know where you are or possibly even who you are or what you are, and then out of this noplace and nobody that is you, out of this silence that your flesh shells, the prayer comes—O Thou—out of silence, addressed to silence, then returning to silence like the holy syllable OM where it is the silence encircling the sound that is itself most holy.

Or the other way round. All at once or little by little, the disguise of words is dropped, the conversation dwindles like a mist thinning out, and for the first time the shape of another becomes at least partially visible, and eyes meet, or without apology for once hands touch, and the angel who troubles the waters troubles the in-between air and a healing becomes possible. For the miracle at least of the moment the deaf hear and the blind, the blind, see.

You get married, a child is born or not born, in the middle of the night there is a knocking at the door, on the way home through the park you see a man feeding pigeons, all the tests come in negative and the doctor gives you back your life again: incident follows incident helter-skelter leading apparently nowhere, but then once in a while there is the suggestion of purpose, meaning, direction, the suggestion of plot, the suggestion that, however clumsily, your life is trying to tell you something, take you somewhere.

Or random sounds: the clock's tick-tock, voices outside the window, footsteps on the stair, a bird singing, and then just for a moment a hint of melody.

-Originally published in The Alphabet of Grace